The Viol - VdGS Newsletter

'The Viol' contains general information, ad hoc articles on viol-related topics (including reviews of meetings), information about Society personnel, membership changes, Society publications, meetings, courses, viol news, instruments for hire and sale, new music publications, music & CD reviews, young players pages and correspondence.

[all issues of the Viol: Editor - Mary Iden; Front Cover (until 2016) - Ted Copper]


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We have a fair number of back copies available. Members can buy these for £1.50/copy + postage, non-members for £2.50/copy + postage. Please get in touch with the administrator.


The Viol - Back Page Ad Offer to recording artists and music publishers

The back page of The Viol, a full A4 advertising space, is offered to companies, groups or individuals who wish to publicise a recording (or occasionally sheet music) in return for a number of CDs (or music books) which the VdGS sells to raise funds for the society. The advertisement will appear in colour in both paper and electronic copies of The Viol, Those wishing to advertise this way should get in touch with the administrator about the detailed arrangements. We can either accept advertisers' own artwork, A4 portrait orientation, preferably in JPEG or TIFF format, or we can create artwork using images (again JPEG or TIFF preferred) and text supplied to us.

The CDs should be sent to the Administrator by a date agreed with the Editor of 'The Viol' and the 10 CDs will be sent to the Administrator: Susan Challinor, VdGS, 12 Macclesfield Road, Hazel Grove, Stockport SK7 6BE, United Kingdom by the date agreed with the VdGS Administrator.

Any further requests for CDs will be forwarded to the contact provided with all payments direct to them.

A PDF or JPEG image of the advertisement will be sent to the VdGS Administrator at admin@vdgs.org.uk within 14 days of the publication date agreed with the Editor.

Contents of all issues (The Viol)

No. 77 Winter 2024/25
  • VdGS Contact information
  • VdGS meetings | Frances Watson
  • News and announcements
  • VdGS Hire Scheme
  • Instruments for sale
  • VdGS members welcome at Lute Society meetings
  • Member changes
  • Musica Britannica recording awards
  • A wonderful day: VdGS viol making symposium 4 October 2024 | Paul Fremantle
  • The viola da gamba and me | Klaus Miehling
  • Wendland's Viol Corner: how high can you go? The treble and pardessus | Peter Wendland
  • From the Archives: 'Chamber Concerts of Intimate Music' at Fenton House | Will Robley
  • Evidence of pitch and temperament from extant consort organs | David Force
  • 'Description of a Musick-Roome': the 'Sounding Chambers' at Cliveden | Gavin Kibble
  • A brief history of early music performance spaces in the UK | Paul Heywood
  • Concert review: Linarol Consort, Thorverton Parish Church, September 2024 | Marilyn Pocock
  • Recording Boismortier's Opus 63 | Jacqui Robertson-Wade and Peter Wendland
  • Young Players: A new viol consort in Brighton | Gavin Kibble; 'What if Christopher Simpson dropped in for the Advent Concert?' | Richard Carter; Lucy Robinson's Christmas Viol Party | Lucy Varney, Tatyana Wearen and Eleonora Savvidou
  • CD review: New Vialles, Old Viols | Patrick Erickson
  • New CD releases
  • Book review: Verena Kronseder, Handbuch des Gambenspiels | Rhiannon Evans
  • Music review: Jean-Baptiste Quentin, Seven Quartets | Jacqui Robertson-Wade
  • DIAMM facsimile sale Julia Craig-McFeely
  • Courses, workshops and concerts
No. 76 Autumn 2024
  • VdGS Contact information
  • VdGS meetings | Frances Watson
  • News and announcements
  • VdGS Hire Scheme
  • Instruments for sale
  • VdGS members welcome at Lute Society meetings
  • Member changes
  • Musica Britannica recording awards
  • VdGS meeting in Chichester 5 October 2024
  • Viola da Gamba Society of Japan 50th anniversary concert
  • Newe Vialles - Old Viols | Caroline Ritchie
  • Brilliant and bold - the Portrait Players' Louise Labé Song Project | Miriam Nohl
  • From the Archives: And, finally, The Newsletter | Will Robley
  • Course Reports: Cambridge Music Renaissance Week | Chris Benson; Irish Recorder and Viol Course | Nicky Johns
  • Celebrating John Wilbye's 450th birthday | John Bryan
  • Maker profile: Ed Klose
  • Young Players: Trying the viol in Cambridge | Emily Ashton; Voices and viols - and an Extravaganza | Lucy Robinson
  • Viol Jam - how it works and how to get started | Jacqui Robertson-Wade
  • New CD releases
  • Music reviews | David Blazey, Philip Redfern
  • Courses, workshops and concerts
No. 75 Summer 2024
  • VdGS Contact information
  • VdGS meetings | Frances Watson
  • News and announcements
  • VdGS Hire Scheme
  • Instruments, bows and music for sale
  • Member changes
  • Only a few more days' walking | Jeanette Clayton and Christopher Webster
  • Viol making symposium in West Dean, 4 October 2024 | Paul Freemantle
  • A Dieterich Buxtehude transcription | Harald Vogel
  • From the Archives: the News Bulletin | Will Robley
  • Intesa Duo - a meeting of minds | Nathan Giorgetti
  • 'Citizen science': how to discover viols around Britain - Part 2 | Michael Fleming
  • Wendland's Viol Corner: frets make the tone | Peter Wendland
  • Young players: Listening to a Painting | Richard Carter and Exploring music old and new | Susanna Pell, Daniel Saleeb
  • New CD releases
  • Music reviews | David Blazey, Richard Boothby
  • Courses, workshops and concerts
No. 74 Spring 2024
  • VdGS Contact information
  • VdGS meetings | Frances Watson
  • News and announcements
  • VdGS Hire Scheme
  • Instruments, bows and music for sale
  • Member changes
  • More about Summer Schools: Early Music Course in Brittany
  • Cheltenham VdGS Summer School 1985 - Can you identify the cartoon characters?
  • 75th anniversary photo competition: the other entries
  • More on Abel | Thomas Fritzsch
  • Music for the Richest Man in the World | David Hatcher
  • The Soundscape of Late Medieval German Courtly Song | Professor Henrike Lähnemann
  • The Consort Cafe is open! | Philip Redfern
  • Obituary - Sally Morris | Janet Reeves
  • Wendland's Viol Corner - playing different parts | Peter Wendland
  • From the Archives: the VdGS Bulletin 1950-1968 | Will Robley
  • Young players: Reports from Cambridge University and Winchester College | Emily Ashton and Jo Levine
  • CD reviews | Patrick Erickson and Philip Redfern
  • New CD releases
  • The Joy Dodson Music Fund: Guidelines
  • Music reviews | Helen Cais, Philip Redfern, Trudie Jordan
  • Courses and concerts
No. 73 Winter 2023/24
  • VdGS Contact information
  • VdGS meetings | Frances Watson
  • News and announcements
  • VdGS Hire Scheme
  • Instruments, bows and music for sale
  • Member changes
  • 'Citizen Science': how to discover viols around Britain | Michael Fleming
  • Exquisite Delight: Abel's 300th anniversary | Viktor Töpelmann
  • Summer Schools - course information
  • In praise of the In Nomine | Jaap Noorman
  • Spirit of Gambo Irish tour | Patricia Quinn
  • Wendland's Viol Corner: left arm, hand and fingers | Peter Wendland
  • From the Archives: The 'Viola da Gamba Summer Schools' - Part 3 | Will Robley
  • Young players: Viol Jam meet up in London, December 2023 | Jacqui Robertson-Wade; A splendid celebration: Johanna Carter's Viol class in Döbling, Vienna | Richard Carter; Reports from Cambridge University and Aberdeen University | Emily Ashton, Claire Horacek; Report from Royal Welsh College of Music and Drama | Hannah Bourn, Aden Yip, Katia Rumen; A fantastic opportunity: evensong in Brecon Cathedral | Sam Hills-Field
  • CD review: The Honour of William Byrd | Catherine Clark
  • Music reviews: Bach Suites | Camilla Morse-Glover
  • Courses and concerts
No. 72 Autumn 2023
  • VdGS Contact information
  • VdGS meetings | Ibrahim Aziz
  • The VdGS Journal | Andrew Ashbee
  • News and announcements
  • VdGS Hire Scheme
  • Instruments and bows for sale
  • Member changes
  • The VdGS at LIFEM 2023 | Sue Challinor
  • From the Chair | John Bryan
  • A viol dream come true | Polly Sussex
  • Remembering Weelkes in Chichester | John Bryan
  • The German Viola da Gamba Society after a renewal | Heidi Groeger
  • From the Archives: The 'Viola da Gamba Summer Schools'- Part 2 | Will Robley
  • Margaret, the dog with a taste for gut strings | Mimmo Peruffo
  • ViolJam meet up in London | Jacqui Robertson-Wade
  • Young players | Rob Cavaye, Aden Yip
  • CD reviews | Patrick Erickson
  • New CD releases
  • Music reviews | Michael Mullen
  • Courses and concerts
No. 71 Summer 2023
  • VdGS Contact information
  • VdGS meetings | Ibrahim Aziz
  • Celebrating the 75th anniversary of the VdGS
  • News and announcements
  • VdGS Hire Scheme
  • Instruments and bows for sale
  • Member changes
  • PRB Productions: the end of a beloved resource | Nick and Sue Jones
  • Rudbeckianska Gambadagar – Rudbeckian Gamba Days | Jeanette Clayton
  • Wendland’s viol corner – Ending a note | Peter Wendland
  • VdGS 75th anniversary meeting | Frances Watson
  • From the Archives – The 'Viola da Gamba Summer Schools' | Will Robley
  • From tenor viol to kamānche | Jenny Tribe
  • 'Fiala, the Best Viola da Gamba Player Still Alive' | Thomas Fritzsch
  • VdGS 75th anniversary photographic competition
  • Young players | Sam Stadlen, Emily Ashton, John Bryan, Sue Perutz, Maya Kitay
  • ViolJam continues! | Jacqui Robertson-Wade
  • CD reviews | Richard Rastall, Patrick Erickson
  • Book review: William Byrd, Consort Music | Richard Rastall
  • New CD releases
  • Music reviews | Philip Redfern, Jacqui Robertson-Wade
  • Courses and concerts
No. 70 Spring 2023
  • VdGS Contact information
  • VdGS meetings | Ibrahim Aziz
  • Celebrating the 75th anniversary of the VdGS
  • News and announcements
  • VdGS Hire Scheme
  • Instruments and bows for sale
  • Member changes
  • Blessed to have grown up with music | Sarah Cunningham
  • In Chains of Gold: brief history of a passion | William Hunt
  • My first viol | Richard Carter
  • Concert reviews | Helen Williams, Kit Denny
  • Concert and film series: Festival of the Sun King
  • Guenter von Zadow's catalogue of Abel's works
  • 'We gave them the heart' - Buxtehude's Membra Jesu Nostri in Epsom | Helen Williams
  • William Byrd at Ingatestone Hall: a portrait | Annabel Malton
  • VdGS 75th anniversary recipe: edible scrolls | Helen Williams
  • From the archive: a handful of autograph letters | William Robley
  • Travelling with viols | Roy Marks, Hannah Wapenaar
  • VdGS 75th Anniversary Photographic Competition
  • Young Players | Safira Nielsen, Heidi Needham, Emily Ashton, Susanna Pell
  • CD review: Mr de Machy - Pieces de Violle | Allison Balberg
  • New CD releases
  • Music reviews | Charles Medlam, John Steedman, Elizabeth Dodd
  • Courses and concerts
No. 69 Winter 2022/23
  • VdGS Contact information
  • Meetings update | Ibrahim Aziz
  • News and announcements
  • VdGS Hire Scheme
  • Instruments and bows for sale
  • Member changes
  • VdGS Journal Volume 16 - Margaret Crum commemorative volume
  • Saraband Music Patrice Connelly
  • Leonora Duarte's Sinfonie in the light of a new discovery Thomas Baete
  • The resurrection of the Englische Violett Sam Laming
  • Wendland's Viol Corner: how to adjust bow weight Peter Wendland
  • Calm in a historic setting: viols at Acton Scott Hall Helen Williams
  • Rudbeckianska viol-playing days in Sweden, May 2023
  • Try a viol, Epsom style Nigel Williams
  • Maker profile Tim Soar
  • Joy Dodson Music Fund: updated guidelines
  • VdGS stall at the London International Festival of Early Music Exhibition 2022
  • Young players Lucy Robinson
  • ViolJam: viol consort playing from your front room! Jacqui Robertson-Wade
  • Queen Elizabeth Scholarship Trust Craft&Making Clubs
  • Copy for The Viol - from a robot! Nic Hyde
  • VdGS 75th Anniversary Photographic Competition
  • Music reviews for The Viol: a new coordinator needed
  • Music reviews Philip Redfern, Patxi del Amo, Polly Sussex
  • New CD releases
  • CD review Philip Redfern
  • Courses and concerts
No. 68 Autumn 2022
  • VdGS Contact information
  • Meetings update | Ibrahim Aziz
  • Celebrating the 75th anniversary of the VdGS | John Bryan
  • News and announcements
  • VdGS Hire Scheme
  • Instruments and bows for sale
  • Member changes
  • Royal College of Music Festival of Viols 2023
  • A family feeling - NOTVIS 2022 | William H G Hunt and Rachel Williams
  • From Sweden to Benslow for two summer schools | Jeanette and Christopher Clayton
  • Non-stop activity and communcal spirit - the VdGSA 2022 Conclave | Mary Cunningham
  • The silver lining of lockdown: A Dialogue of Viols | Jacqui Robertson-Wade
  • A tale of two continents | Jonathan Dunford
  • Finding my own path | Anna Tam
  • Hans Khoegl's viols for Kremsmuenster Abbey | Viktor Toepelmann
  • My first viol | Roy Marks
  • The VdGS Instrument Advisor is here for you! | Tim Soar
  • Obituaries: Michael Sharman (John Sharman) & Jane Ward (Lesley and Henry Woledge
  • Young players | Emily Ashton, Sam Stadlen, Jacqui Robertson-Wade
  • Tuning Apps - words of caution | Stephen Pegler
  • CD review | Catherine Clark
  • CDs for sale
  • Music Review | Philip Redfern
  • New CD releases
  • Courses and concerts
No. 67 Summer 2022
  • VdGS Contact information
  • Meetings update | Ibrahim Aziz
  • News and announcements
  • Instruments and bows for sale
  • Music insert: folk on the viol | Maurice Rogers
  • Member changes
  • Breaking the mould: should moulds be used to build viols? | Jacob Stirrat
  • Player Proile | Myrna Herzog
  • My first viol | John Bryan
  • Viol playing in Scotland: Edinburgh University viols and the EMF Scotland hire scheme
  • VdGS Hire Scheme
  • Wendland's Viol Corner: bow control in a repeated pattern | Peter Wendland
  • Young players | Maya Kitay, Susanna Pell, Richard Carter
  • CDs for sale
  • Music Reviews | Philip Redfern, Richard Boothby, Chris Benson
  • New CD releases
  • Courses and concerts
No. 66 Spring 2022
  • VdGS Contact information
  • Meetings update | Ibrahim Aziz
  • News and announcements
  • VdGS hire scheme
  • Instruments and bows for sale
  • Member changes
  • Secret weapon? How Alexander Technique can benefit musicians | Tim Soar
  • John Jenkins and the Octagon | Alison Crum and Roy Marks
  • The Royall Consort: where to begin dating works by William Lawes | David Pinto
  • Wendland's Viol Corner: changing position on the same and adjacent strings | Peter Wendland
  • Course review: English consort music in Germany | John Steedman
  • Concert review: Jordi Savall at Wigmore Hall | Chris Benson
  • Young players | Lucy Robinson, Robert Cavaye, Cai Waverley-Hudson, Katie Ross
  • CDs for sale
  • Music Reviews | Elizabeth Dodd, Stewart McCoy
  • New CD releases
  • Courses and concerts
No. 65 Winter 2021/22
  • VdGS Contact information
  • Meetings update | Ibrahim Aziz
  • 2022 AGM
  • News and announcements
  • VdGS hire scheme
  • Instruments and bows for sale
  • Member changes
  • Viol as viola: an unusual role for the viol | Susanna Pell
  • Wendland’s Viol Corner: changing position on the same string | Peter Wendland
  • Student viol maker Sam Laming awarded a QEST scholarship
  • The VdGS at LIFEM | Sue Challinor
  • Obituary: Judith Davidoff | Myrna Herzog and David Loeb
  • Who made the Plan de Paris viol? | Mary Iden
  • Did Josquin write any music 'for viols'? | John Bryan
  • 2021 VdGS Journal | Andrew Ashbee
  • Young players | Susanna Pell, Emily Ashton, Sam Stadlen
  • CD Reviews | Catherine Clark, Patrick Erickson
  • New CD releases
  • Courses and concerts
No. 64 Autumn 2021
  • VdGS Contact information
  • Meetings update | Ibrahim Aziz
  • News and announcements
  • VdGS hire scheme
  • Instruments and bows for sale
  • Member changes
  • The French style bowing and the enflé in the works of Marin Marais | Polly Sussex
  • Wendland’s Viol Corner: fingering choices | Peter Wendland
  • Funding opportunity: The Queen Elizabeth Scholarship Trust
  • New music: The Language of Bells by Jill Jarman | Alison Kinder
  • Health and safety – the dangers of viol playing | Philip Wilkinson
  • Recovering lost techniques: historic methods of string-making – Part 2 | Mimmo Peruffo
  • Young players | Lucy Robinson, Richard Carter, Matt Farrell
  • Music review: Thomas Baete - The Natural Violist | Alison Crum
  • New CD releases
  • Online teaching avalilable
  • Courses and concerts
No. 63 Summer 2021
  • VdGS Contact information
  • Meetings update | Ibrahim Aziz
  • News and announcements
  • VdGS hire scheme
  • Instruments and bows for sale
  • Member changes
  • Letters to the Editor | David Pinto and Anne Martin
  • Celebrating greatness: the Linarol Consort's Josquin500 Festival | David Hatcher
  • A Yorkshire Oddity | CJ Coggill
  • My crazy lockdown, part 2 | Jacqui Robertson-Wade
  • Wendland's Viol Corner | Peter Wendland
  • Obituaries: Annette Otterstedt and Jose Vazquez
  • Recovering lost techniques: researches into historic methods of string-making | Mimmo Peruffo
  • NRI past and present | Sue Challinor
  • Music review: William Byrd, Eight Fragmentary Songs | Stewart McCoy
  • New CD releases
  • CD Reviews | Philip Redfern, Richard Rastell, John Bryan
  • Courses and concerts
No. 62 Spring 2021
  • VdGS Contact information
  • 2021 AGM and Meeting update | Ibrahim Aziz
  • News and announcements
  • VdGS hire scheme
  • Instruments and bows for sale
  • Member changes
  • The Bowed Strings Iconography Project | Barry Pearce
  • My crazy lockdown | Jacqui Robertson-Wade
  • Francis Baines - a centeneray tribute
  • Wendland's Viol Corner | Peter Wendland
  • 'My selfe I like to an vntun's Viall' | Michael Fleming
  • Online Teaching
  • La La Hö Hö - the Linarol Consort's debut recording | David Hatcher
  • Undemanding bit fascinating - a new look at Byrd's Fantasia 6/F | Anne Martin
  • Young Players | Roxy Tabin, Joshua Clarke
  • New Music Editions: Hilton, Jeffreys and Hudson | Maurice Rogers
  • Music reviews | Timothy (En-Ming) Lin, Ibrahim Aziz
  • CD reviews | Philip Redfern, Richard Rastell
  • Wanted! CD review coordinator and VdGS discopgrapher
  • New CD releases
  • CD Review: La La Hö Hö | Richard Rastell
  • Courses and online events
No. 61 Winter 2020/2021
  • VdGS Contact information
  • 2021 AGM and Meeting update | Ibrahim Aziz
  • News and announcements
  • VdGS hire scheme
  • Instruments and bows for sale
  • Member changes
  • Positive Feedback - VdGS member survey | John Bryan
  • Cocktail concerts - King's Lynn Festival online | Alison Crum
  • The Continuo Foundation
  • The Language of Bells
  • Better late than never | James Brookmyre
  • Viols in Visual Art - the Bowes Strings Iconography Project | Thomas Munck
  • Keeping on course - a student member perseveres | Agnieszka Nalazek
  • Drenched deep in gore - music of the English Civil War | Matthew Farrell
  • From Despair to Love - Michael East | Alison Kinder
  • What happened to Michael East during the English Civil War? | William HG Hunt
  • Young Players | Rachael Kennedy, David Hatcher , Lucy Robinson, Suzanna Pell, Emily Ashton
  • Music reviews | Stewart McCoy, Thomas Munck, Richard Boothby, Elizabeth Dodd
  • CD reviews | Philip Redfern, Richard Rastell
  • Wanted! CD review coordinator and VdGS discopgrapher
  • New CD releases
  • Online teaching
  • Course, concerts and festivals
No. 60 Autumn 2020
  • VdGS Contact information
  • Meeting update | Ibrahim Aziz
  • News and announcements
  • VdGS hire scheme
  • Instruments and bows for sale
  • Member changes
  • The Joy Dodson Music Fund
  • Ailsa Dixon: 20th century polyphony brought to life | Josie Dixon
  • Coronavirus: making music while the sun shines | Frances Watson
  • Coronavirus: early music retreat day | Elizabeth Dodd
  • Thematic Index: closer to perfection | Andrew Ashbee
  • Alfonso Ferrabosco II: Lessons and Sonnets | Richard Boothby
  • Mabel Dolmetsch: 'Touched with some romance' | Dr Brian Blood
  • Young Players: Leeni Marschall-de Mendelssohn, Richard Carter and Johanna Valencia
  • Music reviews | Stewart McCoy, Thomas Munck
  • CD reviews | Philip Redfern, Michael Oppenheimer, John Bryan
  • New CD releases
  • Course, concerts and festivals
No. 59 Summer 2020
  • VdGS Contact information
  • Autumn 2020 meeting
  • News and announcements
  • VdGS hire scheme
  • Instruments and bows for sale
  • Member changes
  • On the Coronavirus frontline | Philip Wilkinson
  • Improvise and adapt - student viol makers | George Parfitt and Agnieszka Nalazek
  • Uncertain and out of pocket | Matthew Farrell
  • Making the most of it: teaching and playing online | Alison Kinder, Michael Bruessing, Jacqui Robertson-Wade, Susanna Pell, David Hatcher, Sam Stadlen, Alison Crum, Gail Ann Schroeder, Julia Vetoe and Giso Grimm, Tom Gettys, Joanna Levine, Chris Benson
  • A newly-discovered Marais manuscript | Andrew Ashbee
  • Andrew Ashbee in conversation | Ibrahim Aziz
  • From the Archives | Chris Benson
  • Mabel Dolmetsch: 'Touched with some romance' | Dr Brian Blood
  • Young Players: Cockermouth viols | Elizabeth Dodd
  • A present for the wife! | William HG Hunt
  • Nicholas Baldock and the story of Antiquus strings | Frank Smith
  • Music reviews | Charles Medlam, John Bryan, Elizabeth Dodd, Paxti del Amo
  • Book review: Bettina Hoffmann, The Viola da Gamba | Thomas Munck
  • CD reviews | Richard Rastall, Thomas Munck
  • New CD releases
  • Course and concerts
No. 58 Spring 2020
  • VdGS Contact information
  • Summer 2020 meeting
  • News and announcements
  • VdGS hire scheme
  • Instruments and bows for sale
  • Member changes
  • The VdGS and Covid-19 | Johna Bryan and Sue Challinor
  • In the time of Covid-19: viols under lockdown - players' reflections
  • Easing the pain: Angel Early Music | Annabel Malton
  • A lockdown puzzle
  • The 19th century viol | Ian Gammie
  • Sometimes less, sometimes more: intabulating Italian madrigals | Harry Buckoke
  • Filling a gap: consort anthems in Friesland | Jaap Norman
  • Obituaries: Ingo Muthesius | Annette Otterstedt; Nicholas Baldock | Susanne Heinrich
  • Rousseau's horse: observations on the stringing of French viols | Thomas Munck
  • Young players | Alison Crum, Susanne Pell, Richard Boothby, Alison Kinder, Richard Carter
  • New music publications
  • Music reviews | Jenny Tribe, Alison Kinder, Charles Medlam, Richard Boothby
  • CD reviews | Julie Anne Sadie Goode, Philip Redfern
  • New CD releases
  • Course and concert listings
No. 57 Winter 2019/20
  • VdGS Contact information
  • Spring meeting and AGM and future meetings
  • News and announcements
  • VdGS hire scheme
  • Instruments and bows for sale
  • Member changes
  • Clear but kindly advice - RCM 2019 International Festival of Viols | Mary Iden
  • Education and participation - 2020 Brisbane Early Music Festival | Patrice Connelly
  • Recruits and funds - 2019 London Early Music Festival, Blackheath | Sue Challinor
  • Joy Dodson Music Fund - reports | Matthew Farrell, Rachel Williams, Alice Trocellier
  • The Viola da Gamba, 'this Romantic Instrument' | Thomas Fritzsch
  • Much more than shaping sticks - reflections on bowmaking | Michel Proulx
  • A Jenkins Miscellany | Andrew Ashbee
  • Young Players Platform | Jacob Garside talks to Ibi Aziz
  • Makers play: West Dean College Viol Consort | Alison Crum
  • Young players | Sam Stadlen and John Bryan
  • New CD Releases
  • Music Reviews
  • Concert and course listings
No. 56 Autumn 2019
  • VdGS Contact information
  • Winter and future meetings
  • Safeguarding in the Viola da Gamba Society
  • News and announcements
  • VdGS hire scheme
  • Instruments and bows for sale
  • Member changes
  • Layton Ring - a reminiscence | Julie Stobbs
  • Evensong and entertainments - combining voices and viols | Edward Seymour
  • Total immersion - NORVIS 49 | Emma Ponten
  • Garda Lake Music Academy | Luke Challinor
  • East down south - viols in Cape Town | Helen Cais
  • Much more than shaping sticks - reflections on bowmaking | Michel Proulx
  • Arched backs and parquetry - Renaissance viols | Tim Soar
  • The French viol: a question of strings | Luke Challinor
  • Young Players: Extravaganza at RWCMD | Rowan Bidmead and Tim Edwards
  • CD Review: Abendmusiken - Ensemble Stravaganza | Philip Redfern
  • New CD Releases
  • New Music Publications
  • Music Reviews | David Hatcher, Piers Snell, Richard Boothby and David King
  • Concert and course listings
No. 55 Summer 2019
  • VdGS Contact information
  • Autumn Meeting
  • How YOU can help the Viola da Gamba Society
  • Safeguarding in the Viola da Gamba Society
  • News and announcements
  • VdGS hire scheme
  • Instruments and bows for sale
  • Member changes
  • Extending a welcome | Linda Hill
  • Having a go - the London Try a Viol day | Lorna Simpson and Alison Kinder
  • Maddalena and the Prince | recording the baryton
  • From the Archives
  • Obituraies: Ephraim Segerman | David Fallows; Audrey Turner | Kate Jackson and Jackie Huntingford
  • Young Players | Stephen Jones, Alison Crum, Rebecca Lee and Susanna Pell
  • Young Players' Platform | Ibrahim Aziz
  • Starting young in Vienna | Richard Carter
  • CD Reviews | John Bryan, Patxi del Amo, Thomas Munck and Julie Ann Sadie
  • New CD Releases
  • Music Reviews | Patxi del Amo, Philip Redfern, Stewart McCoy and Charles Medlam
  • Concert and course listings
No. 54 Spring 2019
  • VdGS Contact information
  • Summer Meeting
  • What can you do for the Society? | John Bryan
  • News and announcements
  • VdGS hire scheme
  • Instruments and bows for sale
  • Member changes
  • Stolen instruments | Louise Harper
  • Italian Renaissance viols: A question of status | Philip Thorby
  • John Rose, 'fameux auteur' | Michael Fleming
  • The highs and lows of English consort music | John Bryan
  • 'Sup. Pubs.': ammonia and shirt bags | Michael Hobbs
  • English Music across the North Sea | Anna Carlsen Waldingbrett and Oliver Hirsch
  • Obituaries: Layton and Christine Ring | Julie Srobbs, David Pinto and Elizabeth Dodd; Jeanne Dolmetsch | Dr Brian Blood
  • Young Players | Tim Edwards, Emily Ashton, John Bryan, Rebecca Lee, Alison Kinder, Alison Crum
  • West Dean Viols | Alison Crum
  • CD Reviews | Philip Redfern, Les Stobbs
  • New CD Releases
  • Music Reviews | Patxi del Amo, Clare Griffel, Piers Snell, Jeny Tribe
  • Concert and course listings
No. 53 Winter 2018/19
  • VdGS Contact information
  • Spring meeting
  • News and announcements
  • VdGS hire scheme
  • Viols and bows for sale
  • Member changes
  • Blackheath Early Music Festival | Sue Challinor
  • The Joy Dodson Music Fund | John Bryan, David King
  • Italian Renaissance Viols: a question of status | Thomas Munck
  • The RCM International Festival of Viols 2018 | Richard Boothby, Naomi Meredith
  • Considerations amongst the hedgerows: on multiplicity | Derek Porter
  • Obituary: Jane Ryan | Ian Gammie, Scott Clark
  • From the Archive: Sheila Marshall
  • Young Players: Cai Waverley-Hudson, Emily Ashton, Rebecca Lee
  • New CD releases, reviews
  • Music reviews
  • Concert and course listings
No. 52 Autumn 2018
  • VdGS Contact information
  • Winter meeting
  • News and announcements
  • VdGS hire scheme
  • Viols and bows for sale
  • Member changes
  • Course reports: Viols in the Midi-Pyrénées | Rachel Kennedy and Matthew Farrell
  • VdGS/SWEMF Joint Meeting - Summer 2018 | Clare Griffel
  • Correspondence: Alto viols | Chris Coggill and Richard Carter; Richard Mico | Richard Turbet and Claire Horacek
  • The Michael East Project | Ibrahim Aziz
  • Lute and Viols in 18th century Bath and Wells | Matthew Spring
  • From the Archive: Percy Grainger
  • Young Players | Martin Barnett, Elizabeth Dodd, Esha Neogy
  • New Member Profile: Helen Williams
  • New CD releases
  • Concert and course listings
No. 51 Summer 2018
  • VdGS Contact information
  • Autumn meeting
  • News and announcements
  • VdGS hire scheme
  • Viols for sale
  • Member changes
  • Is the Quinton a Viol? | Jacqui Robertson-Wade
  • In the footsteps of Anthony Poole | Thomas Baeté and Jaap Noorman
  • The Renaissance viol SAM66 | Francesco Linarol Richard Jones and Philip Thorby
  • The Michael East Project | Ibrahim Aziz
  • Why are we still using a double bass in Monteverdi’s Vespers? | Peter McCarthy
  • Young players | John Bryan, Rowan Bidmead, Matthew Spring, Richard Carter, Susanna Pell
  • Music reviews | Lucy Robinson, Stewart McCoy, Jacqui Robertson-Wade, Richard Boothby, Janet Reeves, Piers Snell
  • CD reviews | Stewart McCoy, Philip Redfern, John Bryan
  • New CD releases
  • Concert and course listings
No. 50, Spring 2018
  • VdGS Contact information
  • Summer meeting
  • Changes to data legislation | Ursula Fuller
  • News and announcements
  • Gibbons, Orlando and Grinling | John Bryan
  • Gambists before and around Buxtehude's time | Simone Eckert
  • Riches and rarities | Amanda Stuecklin
  • The viols in 'Hearing' | Thomas Munck
  • New Member profile: Clare Galton
  • Lost in translation? | Charles Medlam
  • Young Players | Martin Barnett, Emily Ashton, Alison Kinder, Matthew Farrell, Susanna Pell, Rebecca Lee
  • Music Reviews & CD Reviews | Janet Reeves, Stewart McCoy, Clare Griffel, Piers Snell, Jenny Tribe, Charles Medlam, Elizabeth Dodd, Richard Rastall
  • CD Releases
No. 49, Winter 2017-18
  • VdGS Contact information
  • News and announcements
  • Study Day | Restoration or reconstruction? Report on a day spent investigating problematic Tudor partbooks (Magnus Williamson)
  • VdGS Autumn meeting | A melodious noiz. Discussion of the role of viols in Elizabethan and Jacobean broken consort music repertory(John Bryan)
  • Course reports: Tea, cake and consorts old and new. Japan VdGS Summer Course 2017 (Asako Morikawa); Norvis XLVII (Lindsey Adams)
  • Young Players. Report: Huddersfield, RCM, RWCMD. (Thomas Green, Alison Crum)
  • Music Reviews & CD Reviews
  • CD Releases
No.48, Autumn 2017
  • VdGS contact information
  • Was John a Foreigner? The shadowy career of Coprario (Edward Seymour)
  • From the Archive: Rosemary Fleet, bringing viols to schools in the 1980s (Jenny Tribe)
  • Blue Plaque for Tomkins
  • Course report: Venice comes to Cambridge (Annabel Malton)
  • New member profile: Roger Buckton
  • Young Players (Hetti Price, Martin Barnett, Lucy Robinson)
  • Music reviews & CD reviews
  • New CD releases
No.47, Summer 2017
  • VdGS contact information
  • Autumn meeting
  • Minutes of EGM 18 June 2017
  • Accidents of language use? The Alto viol and the Tenor-Bass Gambe (Richard Carter)
  • VdGS Summer Meeting: Simone Eckert's masterclass and recital (Rhiannon Evans)
  • And outstanding stand: creating a unique stand for a bass viol (Christ Hackshall)
  • From the Archives: The VdGS Composers' Competition (Marilyn Pocock)
  • Obituary: Virginia Brookes (Grace Rowley, Rhiannon Evans)
  • Obituary: Fred Lindeman (Myrna Herzog)
  • A short flowering - the mysteriously short career of Tobias Hume, part 2 (Susanne Heinrich)
  • Musica Britannica: 100 not out (Peter Holman, Andrew Ashbee)
  • 'Why teach children the viol?' (Jacqui Robertson-Wade)
  • Young Players (Sam Stadlen, Chris Hodkinson, Susanna Pell, Richard Carter, Emily Ashton)
  • Music reviews & CD reviews
  • New CD releases
No.46, Spring 2017
  • VdGS contact information
  • Summer meeting and AGM in Oxford
  • 2016 VdGS on-line journal
  • News and announcements
  • Proposing a motion at the VdGS AGM
  • VdGS hire scheme
  • Viols and bows for sale
  • Member changes
  • A short flowering - the mysteriously brief career of Tobias Hume Susanne Heinrich
  • Invisible Fiddlers - music in Shakespeare's plays Gerald Place
  • Obituary: Wendy Hancock Ian Gammie
  • How is your viol? Getting the best from your bridge Michael Goater
  • Young Players Lucy Robinson, Chris Hodkinson, Johanna Finnemann, Henry Drummond
  • More knitting! Clare Griffel
  • Young Players Jacqui Robertson-Wade, John Bryan
  • Music reviews - a feast of Abel: Jenny Tribe , Lucy Robinson, Richard Boothby, Sarah Groser, Frances Zagni, Alison Crum, Heather Gibbard, Alison Kinder, Susanne Heinrich, Janet Reeves/Emma Tristram
  • New CD releases
  • CD review: Lisa Colton
No.45, Winter 2016/17
  • Spring meeting and AGM in Oxford
  • Proposing a motion at the VdGS AGM
  • Studen discount offer on Gamut strings
  • Shakespeare and Dance | Elizabeth Dodd
  • RCM International Festival of Viols | Luke Challinor
  • Family Consorts | Elizabeth and Caroline Dodd
  • Early Music Festival, Blackheath Halls | Sue Challinor
  • Obituary: Wendy Hancock | Stewart Mc Coy
  • A Requiem for Mr William Lawes | Judith Bingham
  • Acacia wood, frogs and horses | Coen Engelhard
  • Young players | Lucy Robinson, Emilia Benjamin, Victoria Hobson, Henry Drummond, Alison Crum
  • West Dean College | Alison Crum
  • Get knitting! | Susanne Heinrich
  • Joy Dodson Music Fund
  • Music Reviews: Rhiannon Evans, Elizabeth Dodd, Stewart McCoy, Piers Snell, Jenny Tribe
  • CD Reviews | John Bryan, Philip Redfern

No.44, Autumn 2016
  • VdGS Music Editions - print your own!
  • Student discount offer on Gamut Strings
  • Journey to Genoa - copying a 16th century Great Bass Viol | Tim Soar
  • Obituary: Els Hermanides Nijhof
  • From the Archive: the American Tour of 1953 | Marilyn Pocock
  • Old Music for Young Ears | Julie Stobbs
  • Viols in Scotland | Vickie Hobson
  • RCM International Festival of Viols 14-15 November
  • Course Report: Jenkins in Germany | Heidi Groeger
  • 'Praise him upon the Viol!' Viols at Evensong | Louise Stewart
No.43, Summer 2016
  • Chichester meeting June 2016:
    Friendly emulation, connections between two pairs of In Nomines | John Bryan
  • 'In chains of gold': issues in the performance of verse anthems | Bill Hunt
  • RCM International Festival of Viols, 14-15 Nov 2016
  • The music room of Thomas Mace | Thomas Gibbard
  • From the Archive: Natalie Dolmetsch on 'dangers to the viol' | Marilyn Pocock
  • Viol humour: Involuntary tacet | Jan Kamphuis
  • Young players | Susanna Pell, Henry Drummond, Lucy Robinson, Dian Underwood, Jacqui Robertson Wade, Richard Carter
  • Taking the plunge: a try-a-viol session in Gloucester | Marilyn Pocock
No.42, Spring 2016
  • Oxford meeting March 2016:
    Pearls before the Swine? Pleasing the audience then and now | Judy Tarling
  • Notes of Dule: Byrd and Guichardo | Richard Turbet
  • Young Players | John Bryan, Beth Edwards
  • Richard Jones, viol maker | Richard Jones
  • The Joy Dodson Music Fund, guidelines: proposing a motion at a VdGS AGM
No.41, Winter 2015/16
  • London meeting Oct 2015:
    The Division Viol, an Overview | Myrna Herzog
  • Performing Simpson's Aires | Ibrahim Aziz
  • Christopher Simpson, composer of consort music | Ali Kinder
  • Young Players | Mary Pells, Elizabeth Dodd
  • Course reports: Irish Viol and Recorder Course | Janes Reeves, Jill Davies
  • Bass fretted instruments at Schloss Seehaus | Heidi Groeger
  • Higham Hall Early Music Summer School
  • Eyland Fest: renaissance viols at Charney Manor | Catherine Lorigan
  • Dr Bernd Becker, making facsimiles available | Mary Iden
  • Royal College of Music IXth Festival of Viols | Nic Hyde
  • The Peerson Project | Richard Rastall
  • Reviewing contemporary music | Jenny Tribe
No.40, Autumn 2015
  • Obituaries | Trevor Jones, Gill Humphreys
  • Birmingham meeting 21 June 2015:
    Introduction | Wendy Hancock;
    Traces of Elizabethan musical communities: the 'Hamond' partbooks | Katherine Butler;
    Viol-playing in choristers' musical education in sixteenth-century England | Jane Flynn
  • Young players | Claire Bracher, Henry Drummond
  • Dartington International Summer School | Richard Boothby
  • Never too late - taking up the viol at 70 | Lindsay Stemp
  • Travelling wit viols | Richard Carter, Susanne Heinrich
  • The Joy Dodson Music Fund, guidelines: proposing a motion at a VdGS AGM
No.39, Summer 2015
  • Viols on the road: more travel stories
  • Rehearsing for the Tempest | Ibi Aziz
  • Sticks and frogs at West Dean | Craig Ryder and Kjaer Brady
  • The Glasgow Viol Consort | Martin Barnett
  • Showcasing viols in York | Susanna Pell
  • Viol extravaganza: a day of masterclasses | Berri Munn
  • Concert at Chilwell | Wendy Hancock
  • Verse anthems and consort songs in Cambridge | Joanna Finnemann
  • Award for Gutted! | Jaqcui Robertson-Wade
  • Starting young in Vienna | Richard Carter
No.38, Spring 2015
  • The late virtuosi of the Viola da Gamba | Pia Pircher, Charles Medlam
  • Makers ad players (at West Dean College) | Alison Crum
  • Young Players take the stage: Reports on thriving student viol consorts | Alison Crum, Dian Underwood, Ibi Aziz, Mary Pells, John Bryan
  • First steps towards a searchable Thematic Index | Andrew Ashbee
  • Making headlines | Polly Sussex interviews Francisco Pecchia
No.37, Winter 2014/15
  • AGM Agenda
  • Dartington International Summer School | Mary Iden, Richard Boothby, Emily Hoare
  • Higham Early Music Summer School | Helen McCann
  • A choice of delights | Norvis XLIV 2014 | Sam Grainger
  • A bridge too far? | Thomas Munck
  • The bas viol after the death of Marin Marais | Pia Pircher
  • The night before a viol lesson | Allison Balberg
  • The Cambridge University Viol Consort | Emily Ashton
  • Young Players
  • Have viol, will travel | Susanne Heinrich
  • Is your bow bugged? | Mary Iden
  • Recent researches | Ian Woodfield
  • A big thank you
No.36, Autumn 2014
  • Hille Perl Masterclass at the Vielklang Festival
  • Advanced Viol Consorts course at Dartington
  • Early viol stringing and its relevance for players today | Alison Crum
  • The revival of French Baroque playing in our time | Julie Anne Sadie Goode
No.35, Summer 2014
  • From the Archive: Richard Nicholson | A personal reflection | Liz Page
  • Report on VDGS Summer meeting, Bristol Music Club | Marilyn Pocock
  • The Solo Bass Suite (Summary of talk given at Bristol VDGS meeting)| Charles Medlam
  • It Takes Guts: Report of a talk given at the Bristol VDGS meeting by Jane Julier
  • Letter from Mexico | Gabriela Villa Walls
  • Tying Frets: A simple and effective method | Joe Lotito
  • Book review, Martin Erhardt 'upon a ground' | Thomas Munck
  • Carving Viola Heads | John Pringle
  • A Word of Caution on Tuning Meter Apps | Stephen Pegler
  • New Music for Historical Instruments: Why Viol Players should take interest | Leslie Gold
No.34, Spring 2014
  • The three Fantasias by John Okeover. A Composition Competition
  • 'Their Last Foile and Polishment' | aspects of compositional refinement in the consort dance of Dowland and Holborne: report of a talk by John Bryan
  • Rita Morey: 18 November 1935-29 January 2014 | Lorna Watson
  • The Creative Viol: Teleman and the Modern World | Dr Lucy Robinson
  • 'No Limitations': A Workshop in Composition | Dr Andrew Wilson-Dickson
  • Charlie Barber's 'Michelangelo Drawing Blood' | Ibi Aziz
  • From the Archive: John Wellingham | Marilyn Pocock
  • Viols in Scotland: A National Crisis | Martin Barnett
No. 33, Winter 2013/14
  • The Viola da Gamba Society at Greenwich Early Music Exhibition 2013 | Marilyn Pocock
  • Variant Tunings in the Lute and Viol Repertory: report of a talk by Lynda Sayce
  • John Dowland: An Englishman Abroad; report of a talk by Peter Holman
  • Playing the Viol without Sight | Ducan Bell
  • Letter to the Editor: the treatment of accidentals in modern editions | Richard Carter
  • Young Players' News
  • Tone Quality, as seen by a bow maker (Konstantin Krutzsch)
No. 32, Autumn 2013
  • Electronic Membership Survey Evaluation | Susanne Heinrich
  • More about the Quintfiedel | Titia Tebben
  • The Future of VdGS Editions | your comments please!
  • The VdGS Hire Scheme | Mary Iden
  • Making the Tudor Viol | Oxford Jul 2013 | Catherine Lorigan
  • Orlando Gibbons, 1583-1625 | Revd Edmund H Fellowes
  • Meet the Composer: Christopher Roberts
  • Report from Recipient of JDMF grant | Heather Bourne
  • Recent Research on the Viol | list by Ian Woodfield
  • From the Archive: Marco Pallis | Marilyn Pocock
  • Course Report: Marnaves Summer Baroque | Sam Stadlen
  • On Copying a Bass Viol Bridge | interview with G Bridgewood. (David Wilson)
  • From Cello to Viol | Luke Challinor
  • Young Players' Pages | Gutted!
No. 31, Summer 2013
  • Viols For Sale
  • Dr John Catch: 19th January 1918-30th April 2013
  • Report of the VdGS Summer Meeting: Cambridge June 2013 | Bianca Brajuha
  • The Verse Anthem: Considerations in Performance | Bill Hunt
  • Varieties of Viols | John Bryan
  • On the Effectiveness of Mental Practice | Dr Phil Kearney
  • 'Upon Silence' by George Benjamin | Richard Boothby
  • Young Players' Pages
No.30, Spring 2013
  • Viols For Sale
  • Electronic Membership | Comments invited | Susanne Heinrich
  • A Viol Player's Brief History of the Low Countries: Appendix III reprinted | CJ Coggill
  • Alexander Technique and Feldenkrais Method: VdGS meeting Nov 2012 | Tim Soar
  • Hubert LeBlanc Defense de la basse de viole.. an introduction | Susanne Heinrich
  • Whatever happened to the Society's Viol? | Sarah Turnock
  • From the Archive: Elizabeth Goble | Marilyn Pocock
  • Memories of the English Consort of Viols: 1957-61 | Ian Graham-Jones
  • The 'Quintfidel' and Other 'Fidel'-Instruments | Susanne Heinrich
  • Michael Plant: 1936-2013 | Linda Hill
  • The Von Trapp Family's Viols | Elaine Mordaunt
  • Skill Acquisition and Music | Dr Phil Kearney
  • Instrument Making at West Dean College: The Current Situation | Colin Bullock
  • Young Players' Pages
  • Robert Jones' Second Book of Songs and Ayres | Richard Carter
No. 29, Winter 2012/13
  • Viols For Sale
  • Meet the Composer: Bertie Baigent
  • West Dean College News | Fraser Duncumb
  • Update on Geared Pegs for Viols | Stephen Pegler
  • Upgrading old instruments? | Fraser Duncumb
  • VdGS One-Line Journal Volume VI Contents
  • The English Consort of Viols: The Wigmore Hall 1938 | Marilyn Pocock
  • Harry Danks and the London Consort of Viols | Elizabeth Dodd
  • More on 'Apt for Voice and Viols' | John Bryan
  • Tuning the Viola da Golga | Polly Sussex
  • A Viol-Player's Brief History of the Low Countries | C.J. Coggill
  • The E-flat problem in English music c1580-1640 | Richard Rastall
  • Young Players' Pages
No.28, Autumn 2012
  • Viols For Sale
  • 'Apt for Voice and Viols' | Michael Foote
  • Recreating the Lyra Viol | Shem Mackey
  • Purcell and his manuscripts: A British Library Conference | David King
  • Jens Egeberg 1951-2012 | Patience Balslev
  • VdGS Meeting at RCM 9 June 2012 | David Wilson
  • Course Report: The Irish Recorder and Viol Course | Marilyn Pocock
  • On Editing Jacobean Music: The Editor, The Performer and the Publisher | Richard Rastall
  • The London Consort of Viols | Ian Gammie
  • From the Archives | Marilyn Pocock
  • Young Players' Pages
  • Report from a recipient of a JDMF grant | Yusuf Lahham
No.27, Summer 2012
  • Viols For Sale
  • Viols Festival in Belgium | Michael Fleming
  • VdGS Editions | Hear before you buy
  • More on Geared Pegs for Viols | Stephen Pegler
  • Report by a recipient of a Joy Dodson Music Fund Grant | Jonathan Hill
  • Meet the Composer: Sarah Gait
  • Bar Numbering: An Editor's View | Richard Carter
  • Bar Numbering: VdGS Members' views | Mary Iden
  • PG Woodhouse and John Jenkins: A link? | Caroline Franklyn
  • West Dean Short courses in musical instrument making | Colin Bullock
  • Instrument ownership in Norwich, c.1600 | Tessa Murray
  • The Viol, Advertising Rates
  • Viol and Lute Makers of Venice 1490-1630: a new book
  • From the Archives | Marilyn Pocock
  • Young Players' Pages
  • Engraving of Johann Schenck: more information
  • Viola da Gamba Festival in Gerfalco, Tuscany
  • Royal College of Music 6th International Festival of Viols
No.26, Spring 2012
  • Good News for the Joy Dodson Music Fund
  • Viols For Sale
  • National Centre for Early Music: Competition for Young Composers | Richard Boothby
  • Geared Pegs for Viols: Further Comments | Chris Coggill
  • Meet the Composer: Roy Marks
  • Coda to the Great Gut Debate | Polly Sussex
  • Strings from Spiders?
  • 2011 VdGS Journal: List of Contents
  • Johannes Schenck | Ibi Aziz
  • The Bass Viol in Berlin 1740-1780 | Charles Medlam
  • Bar Numbers. A Question | Stephen Pegler
  • Young Players' Pages
No.25, Winter 2011/12
  • VdGS Viols for Hire/Sale
  • Patience Waddilove | An Obituary, Susanna Pell
  • Geared Pegs for Viols | Stephen Pegler
  • 2011 RCM International Festival of Viols Concerts: A Report | Henry Drummond
  • Course Report: NWEMF 2011 Summer School at Trafford Hall | Pat Stewart
  • The End of the Gut String? Fear Not | Susanne Heinrich
  • The Viol and VdGS Finances | Some Food for Thought: Responses
  • Matthew Farley: Viol Maker
  • Morley College Viols | Some Photos
  • The Instrumentation of Orlando Gibbons's Dooble Base Fantasias | Jason Rosenholtz-Witt
  • Notes about the new version of Sibelius
  • Online Historical Viol Database | Thomas G. Mac Cracken
  • Rondo Viol Academy | Jacqui Robertson-Wade
  • Young Players' Pages
No. 24, Autumn 2011
  • VdGS Viols for Hire/Sale
  • Elegiac Consort Songs in the Paston Manuscript Collection | Philip Taylor
  • Ian Harwood 1931-2011: Lutenist and Maker Turned Viol Maker and Player | Liz Page
  • Margaret Cutforth | Jacqui Robertson-Wade
  • The VdGS Thematic Index: 2011 Updates | Andrew Ashbee
  • VdGS Try-a-Viol Day: Oxford 9th July 2011 | Susanne Heinrich
  • The Viol and VdGS Finances | Food for Thought?
  • New from Italy: Viola da Gamba Day at Fiesole
  • Strings and More: An Interview with Gary Bridgewood | Mary Iden
  • Chalk and Soap | Edward Seymour
  • Young Players' Pages
No.23, Summer 2011
  • VdGS Viols for Hire/Sale
  • Membership Information
  • New Editor for VdGS Online Journal
  • Join the Society's Committee | Trustee Needed
  • Forthcoming Auction of Dennis Nesbitt Viols 16th September 2011
  • Tributes to George Hunter, 30 January 1918-26 March 2011 | Katie Hunter, Rebecca Hunter, Peter Farrell, Wendy Gillespie, Alice B. Renken, Grace Schoedel
  • Richard Campbell, died 8 March 2011 Bill Hunt and tributes | Richard Boothby, Julia Hodgson, Wendy Gillespie, Susanna Pell, Asako Morikawa, Reiko Ichise
  • Meeting reports from 11th June:
    The Dow Part Books, meeting 11th June Emma Tristram; Full of Art and Profundity
    The Five Part Consort Pavan John Bryan;
    Andrew Kerr: Arrangements and Reconstructions for Viols Stephen Pegler
  • Meeting reports from 19th March: Soldier, Punke, Whoop and Tobacco Elizabeth Dodd
  • Tips for Sibelius Software Users on the website
  • VdGS Music Editions | would you like to help?
  • Englishmen Abroad | The Contents of Durham Cathedral Library Music MS D010 Andrew Fowler
  • A Year at West Dean Benjamin Hebbert
  • Playing Viols in New Zealand Elaine Mordaunt
  • Young Players' Pages
  • Message from a Recipient of a Joy Dodson Music Fund Grant | Jonathan Hill
No.22, Spring 2011
  • VdGS Viols for Hire/Sale
  • Membership Information
  • Brian Jordan: An Obituary | Clifford Bartlett
  • Is Christopher Simpson Old-Fashioned, or Should He Be Considered as Pioneering? Alison Kinder
  • Barock Me Baby: The Viol Scene in Thailand David Wilson
  • Recent Research on the Viol | Ian Woodfield
  • Writing 'Life after Death' | Peter Holman
  • Making a Baroque Viol Bow | Eitan Hoffer
  • Broken Strings: Is Viol Playing a Winter Pastime? Susanne Heinrich
  • Young Players' Pages
  • News From Universities and Music Colleges
No.21, Winter 2010/2011
  • Theron McClure and Brian Jordan, an obituary
  • Distance Voting | Robin Adams
  • The Kitten and the Bow | A cautionary tale
  • Report on RCM 4th International Festival of Viols | David Wilson
  • Charterhouse | Susanne Heinrich
  • The World Encompassed | Orlando Gough
  • The VdGS Tuning Device Survey, Part 2: Consort Tuning | Mary Iden
  • The Pleasures of Internationl Networking | Julie Stobbs
  • Thomas Mace and a Sense of Humour | Wendy Hancock
  • First Encounters | Richard Carter
  • Elizabethan Play Along, Recordings Review
  • Young Players' Pages
  • News from Universities and Music Colleges
No.20, Autumn 2010
  • Marlene Austin, obituary | Linda Hill
  • An Interview with Alison Crum | Mary Iden
  • Building an Elizabethan Viol, in search of the sound Byrd might have heard | Tim Soar and Siriol Jones
  • The Auckland Thomas Cole Bass Viol | Polly Sussex
  • The Unequal Fretting of Viols | Richard Carter (nb. Misprinted. The corrected version was distributed with the next issue)
  • Clifford Bartlett Appeal
  • Young Players' News
No. 19, Summer 2010
  • Robin Michael Woodbridge | An Obituary David King
  • Arranging a Viol Course: The Experience of Setting Up the Fort Belan Viol Weekend | Clive Tolley
  • Course Report: Viols at Fort Belan | Emma Tristram
  • A New Repertoire for the Bass Viol | Charles Medlam
  • The Viol in Spain | Ander Arroitajauregi
  • VdGS Meeting Report: Kings Place, Saturday 19th June | Linda Hill
  • The History of the VioLab "Pitchman" Tuner | Fred Reinagel
  • The Cleartune Tuning System, A User Review | Stephen Pegler
  • The Development of the Cleartune System |Matthew Finn
  • Thoughts on Tuners 1 | Susanne Heinrich
  • Thoughts on Tuners 2 | Jenny Tribe
  • The VdGS Tuning Device Survey | Mary Iden
No. 18, Spring 2010
  • VdGS Meeting Report Oxford March 2010 | Linda Hill
  • RCM International Festival of Viols III November 2009 | Nick Pollock
  • Jane Julier: Viol Maker | An Interview
  • Gutless Veggies? Rhiannon Evans
  • The Viennese Bass: a Giant Viola da Gamba | Tomoki Sumiya
  • A Conversation with Jane Ryan
  • Sainte-Colombe and the Tournus Manuscript | Horacio Bollini
  • Theron McClure: The World's Oldest Viol Player? Suzanne Ferguson
  • News from Music Colleges and Universities
No. 17, Winter 2009/10
  • VdGS Meeting October 2009, London: Have You Heard the One By...?
  • In Search of Lost English Viols | Thomas G. MacCracken
  • Copyright and Copying: An Alternative View | Theo Wyatt
  • Copyright and Copying: A Response | Clive Tolley
  • The Viola da Gamba (a further extract)| E J Payne MA
  • Reprinted from Proceedings of the Musical Association, 15th Session (1888-1889)
  • More About Payne and His Viols | Thomas G. MacCracken
  • Captain Tobias Hume Prankster or Genius? Susanne Heinrich
  • Captain Hume's "Invention For Two to Play Upon One Viole" | Karl Neumann
  • Reprinted from Journal of the American Musicological Society vol. 22, no. 1 (Spring 1969)
  • Course Report: NWEMF Renaissance Summer School| Ambleside Ruth Harris
  • 'The Viol Rules' | Alison Crum's New Book is Launched
  • Typesetting Early Music | Stephen Pegler
  • Concert-life in 1649: A Tweet from Edward Benlowes | David Pinto
No. 16, Autumn 2009
  • Ask Your Viol Teacher | Frets: Reprinted from the VdGSA News March 1999
  • David Freeman | An Obituary
  • Michael Groser | An Obituary
  • Carbon Fibre Bows for Viols: Tim Soar
  • Course Report | NORVIS 2009 1-8 August, Durham: Edna Coop
  • The Viola da Gamba: E J Payne MA
  • Copyright and Copying: An Alternative View Theo Wyatt
  • Recent Research on the Viol: Ian Woodfield
No. 15, Summer 2009
  • A Message from Your Administrator: Susanne Heinrich.
  • Report of VdGS Meeting at University of Huddersfield June 2009: Andrew Fowler.
  • Postcode Distribution of VdGS Members as at June 2009: Stephen Pegler.
  • A 'Soundposted' Renaissance Viol: Ander Arroitajauregi Aranburu .
  • Narcissus Marsh's Viol Manuscripts and Musical Investigations: Andrew Robinson.
  • Michael Plant, Viol Maker: Shirley Plant.
  • From the Archives | 6th Exhibition of Early Musical Instruments London November 1983 An Exhibitor's View: Michael Plant.
  • The Viola da Gamba in Argentina: Horacio Bollini.
No, 14, Spring 2009
  • A Message from the Winner of the Kessler Viol Raffle: Esha Neogy.
  • The Violone and Violone Grosso of Bach's Brandenburg Concertos: Peter McCarthy.
  • The Pardessus de Viole and Quinton | A History: Dr Michael Mullen.
  • The Royal College of Music Festival of Viols | A Report: Nick Pollock.
  • A Note on Dating Two Anthems by Byrd: Richard Turbet.
  • Trio Sonata Playing Day at Benslow | A Report: Sarah Turnock.
  • Some Viol-Related Manuscripts and Printed Music in the RCM Collection: Dr Michael Mullen.
  • Paddy Turner 1931-2008: An Obituary: Jenny Tribe.
No. 13, Winter 2008/2009
  • The Solo Bass Viol Suite in France 1650-1700: Charles Medlam.
  • VdGS Meeting Report November 2008: Restoring the Kessler Collection of Viols
  • Course Reports: Norvis, Alston Hall, NWEMF at Ambleside
  • Viols in China - A Pioneering Visit? Alison Crum.
  • Julian Boby - An Obituary: Mary Iden.
  • The Restoration of a Swedish Viol: John Topham.
  • 'After West Dean' Diary: Toby Rzepka.
No. 12, Autumn 2008
  • Course Report | The 12th Annual Laboratorio di Musica Antica: Enrico Silvestri.
  • Copyright and Copying: Sally Morris.
  • Two Items of Interest: Andrew Ashbee.
  • Body Percussion | How it Can Help Your Viol Playing: Michael Bruessing.
  • The English Pavan and Galliard for Viols and the Art of Keyboard Intabulation: David J Smith.
  • Sarah Paget | January 28th 1940 to September 18th 2008: Julie Stobbs.
  • Understanding Your Viol and Its Care: Julian Boby.
  • A Letter from the Czech Republic: David Freeman
No. 11, Summer 2008
  • Voices and Viols In Performance: Clare Griffel.
  • A Talk Given at the March 2008 VdGS meeting in Oxford.
  • Oyez! Fresh Thoughts About the "Cries of London" Repertory: John Milsom.
  • Brief Summary of a Talk Given at the March 2008 VdGS meeting in Oxford.
  • Style & Spirit | The Importance of Gestures & Ornaments in the Music of Marin Marais: Tal Arbel.
  • A Talk Given at the June 2008 VdGS meeting in Warwick.
  • Lady Godiva | Only a Fiver? Report on the 5 Day Viol-Making Challenge: Jane Julier.
  • Your Chance to Win the 5-Day Viol for the Price of a Raffle Ticket!
  • The Ueno Gakuen Collection of Early Instruments, Tokyo: Stephen Pegler.
  • Trio Sonata Day | Cheltenham February 2008: A Report
  • Viols and Voices in Venice with Philip Thorby | February 2008: Ken Thomson.
  • VdGS Baryton Playing Day | London April 2008: Michael Mullen.
  • The Aquila Strings Workshop: Mary Iden.
  • Makers in the Making | West Dean Diary: Toby Rzepka.
No. 10, Spring 2008
  • The (New) Renaissance of the Consort Song: Loren Ludwig. A Talk Given at the March 2008 VdGS meeting in Oxford
  • Ruth Dodd 1919-2007 | An Obituary: John Catch
  • The Well-Tempered Consort: Ruth Dodd
  • 'Isabella's Garden' and 'Snow in Bologna' | Two Poems: Vivien Jones
  • Seeing the Wood from the Trees: Jane Julier
  • Keeping It Alive | Some Thoughts on the Viola da Gamba as a Musical Ambassador: Tal Arbel
  • Makers in the Making | West Dean Diary: Toby Rzepka
  • Viol-Making in Beijing: Charlie Ogle | Download this PDF article
  • Morley Viols | Easter Concert and End of Term Report: Esha Neogy and Ibi Aziz
  • Recent Research on the Viol: Ian Woodfield From Journal of VdGSA 43 (2006): 69-71
  • Ask Your Viol Teacher | Reprinted from the VdGSA News Vol. XLII, No 1
  • 'Apt both for viols and voices' | A Review of an Edition of John Ward Madrigals and Some Questions about the Visual Aspect of Consort Music: Caroline Ritchie
  • From the Archives | On the Training of Audiences and Others: Sheila Marshall
No.9, Winter 2007/2008
  • Report on VdGS Autumn Meeting about Godrey Finger
  • Report on RCM International Festival of Viols November 2007
  • VdGS Music Editions Recall
  • The New VdGS Journal
  • Byrd's Choral Songs with Viols: Richard Turbet
  • A Thematic Index From The Stone Age: James V. Whittaker
  • Tuning and Temperament Revisited Again: Richard Campbell and John Catch
  • The Kessler Collection: Marc Soubeyran
  • The Carved Head of the Henry Jaye Bass Viol JP 21: David Pinto
  • From the Archives: Peg's Pegs (First printed in The Bulletin of the VdGS June 1966)
  • Makers in the Making | West Dean Diary: Toby Rzepka
No. 8, Autumn 2007
  • The Ruby Viol - In Praise of a Re-born Hybrid: Jan Goorissen
  • Teaching Techniques and Resources: Jacqui Robertson-Wade and Alison Kinder
  • Isabella Pillath 1952-2007: Dr David J Smith and Alison Crum
  • Pan-Pacific Gamba Gathering: John Bryan
  • Course Report | NWEMF Summer School, Ambleside July 2007: Bianca Brajuda
  • Reports of the VdGS Summer Course for New Viol Players: Caroline Dunn, Louise McInnes and Christopher Edge
  • Dr Helene la Rue (1951-2007) | Two Tributes: Michael Fleming and Alison Kinder
  • Examinations in Viol Playing? Michael Steinkuehler
  • Tuning and Temperament Revisited: Thomas Munck, Stuart McCoy & Richard Carter
  • The Jaye Project: Michael Fleming, Thomas MacCracken, and Klaus Martius
  • An Introduction to the Baryton: Jeremy Brooker
  • Building Barytons: Owen Morse-Brown
  • Makers in the Making - West Dean Diary Start of Year 2: Toby Rzepka
No. 7, Summer 2007
  • The Dow Partbooks: Margaret Bent A Talk Given at VdGS AGM Oxford March 2007
  • An Introduction to the VDGS Picture Archive: Patsy Campbell (Talk Given at VdGS AGM Oxford March 2007)
  • Music So Long in Favour with Performers of Limited Powers - An extract from A General History of Music 1789: Dr Charles Burney
  • Fretting; The Historical Evidence: John Catch
  • Yes, We Have No Tenors: Oliver Hirsch
  • From the Archives: Viol Consorts at the Haslemere FestivalFirst printed in The Bulletin of the VdGS November 1953.
  • "Invisible Fiddlers" | Viols & Shakespeare: Gerald Place
  • The Story of a Viol Part II | The Restoration: Federico Lowenberger
  • Ask Your Viol Teacher | Aspects of Bowing Technique Reprinted from the Newsletter of VdGS America
  • The Kessler Collection
  • A Festival of Evensongs in Cambridge Colleges: Bill Hunt
No. 6, Spring 2007
  • Viols and Tuning | Presentation Given at VdGS Meeting October 2006: Elizabeth Liddle
  • 'Not unlike a confused singing of birds in a grove' | An Introduction to the In Nomine: John Bryan
  • In Nomine Settings for Consort | A very roughly chronological checklist: John Bryan
  • Biographical Notes for Some Little-Known Composers of In Nomines: Andrew Ashbee
  • In Nomine | An Obscure Designation: Virginia Brookes
  • In Nomine Composition Competition.
  • A Composer's-Eye View of the In Nomine: John
  • Why Playing the 'In Nomine' is Not Boring | A Player's View: Richard Campbell
  • The In Nomine Today | Challenges for Performers and Composers: Rebecca Rowe
  • Byrd and the Bees | 'In manus tuas': David Pinto
  • Dietrich Kessler Remembered
  • Makers in the Making - West Dean Diary Term 2: Toby Rzepka
No. 5, Winter 2006/2007
  • Tunes, Textures and Tonalities | Some Thoughts on Structure in English Consort-Music: Richard Rastall
  • A List of the Consort Songs for Voice and Viols by William Byrd
  • Consort Songs by William Byrd (1539-1623): Laurence Dreyfus
  • 'O Worthy Queen' | Byrd's Elegy for Mary I: Philip Taylor
  • William Byrd, the Catholics and the Consort Song | The Hearing Continued: Rebecca Redmann
  • Some Neglected Consort Songs by Byrd: Richard Turbet
  • '….made into Musicke of fiue [=1+4] parts' | Voice-and-Viols Versions of Some Byrd 'psalmes', 'sonets' and 'songs of sadnes and pietie': Mike Smith
  • Christopher Wood and the Chantry Suite: Dr Micaela Schmitz
  • Tous les Matins du Monde: Jean-Louis Charbonnier
  • From the Archives: Peg's Clefs (First printed in the Bulletin of VdGS January 1967)
  • First Encounters | A Christmas Baby: Ingrid Glass
  • Until I Saw Your Foot | a poem: Heather Wastie
  • Makers in the Making | West Dean Diary Term 1: Toby Rzepka
  • The Viol Scene in Japan: Toby Rzepka
No. 4, Autumn 2006
  • Ivory and Stone Towers | Report of VdGS Byrd Playing Day July 06: Irene Auerbach
  • The Story of a Viol | The Restoration of an Early Viol: Federico Lowenberger
  • The Samacchini Bow: Antonino Airenti
  • Making Renaissance Viols | An Interview: Richard Jones
  • More Questions than Answers | 16th Century Venetian Viols in the Kunsthistorisches Museum, Vienna: Richard Carter
  • Playing Renaissance Viols: Stephen Pegler and Thomas Munck
  • Two Poems: Vivien Jones
  • Dendrochronology and its Role in Assessing Old Musical Instruments including Viols: John Topham
  • Viol Music in the Bodleian Library: Peter Ward Jones
  • Recent Research on The Viol: Ian Woodfield
No.3, Summer 2006
  • Report of VdGS Meeting: West Dean College May 27th 2006 | Stephen Bowen
  • A Postscript to Peter Leycester and 'A Book of Lessons for the Lyro=Viol to play alone in several Tunings': Richard Carter
  • Posture in Viol Playing: Ian Woodfield reprinted from Early Music Vol.6 (1) 1978
  • A Painful Pleasure | The Sport of Music: Fiona Clarey
  • Ask your Viol Teacher | Tips on Holding the Viol and Foot Position. Reprinted from the VdGS of America Newsletter
  • Taking Time | A Brief Introduction to the Alexander Technique: Susanna Pell
  • All Downhill after 25? A Personal Memorandum: Richard Carter
  • Healthy Practice Habits (as recomended by BAPAM)
  • Managing Performance Anxiety: Philip Wilkinson
  • From the Archives: Extracts from the VdGS Bulletin June 1952
  • Letter from Denmark: Patience Baslev
No.2, Spring 2006
  • Music and CD Reviews
No. 1, Winter 2005/2006
  • Music and CD Reviews
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No.77 Winter 2024/25

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No.76 Autumn 2024

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No.75 Summer 2024

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No.73 Winter 2023/24

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No.72 Autumn 2023

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No.69 Winter 2022/23

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No.21, Winter 2010/11

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No.1, Winter 2005/06